31st edition with a newly introduced award

City of Kosice / 20. – 27. june 2025 / 8 days / 17 sections / 58 countries / 135 films / 169 projections / 22 914 visitors

For the first time, a new honorary award—the Milan Lasica Award—was presented. It serves as a lasting tribute to the festival’s first and only president and is awarded in memoriam to outstanding figures of our cinematography. Its first laureate was Ivan Mistrík, whose 90th birth anniversary we commemorate in 2025. For the first time, awards were also presented by the FIPRESCI Jury—the International Federation of Film Critics—within its own independent selection. The Actor’s Mission Award went to Daniela Kolářová (Czech Republic) and Milan Ondrík (Slovakia). The Golden Camera Award was presented in the metropolis of eastern Slovakia to one of the most respected and acclaimed cinematographers of both Slovak and Czech cinema—Martin Štrba.

Photogallery

Introductory Press Conference, 9.6.2025

Actor’s Mission – Press Conference – Milan Ondrík

Golden Camera – Press Conference – Martin Štrba, 26. june 2025

Red Carpet

Foto: Marek Eštočin, Marek Vavruš

Opening Ceremony

Foto: Marek Eštočin

Milan Ondrík – arrival at IFF Art Film

Milan Ondrík – press conference

Milan Ondrík – interviews at Kulturpark

Milan Ondrík – Dolná brána

Arrival at the festival – Martin Štrba

Golden Camera – Martin Štrba

Interview: cinematographer Martin Štrba – Golden Camera

Angliština Engliština | English Vinglish
Apoorva Srivastava, Martin Palúch

Vyšší princíp | A Higher Principle
Juraj Čurný

Záhrada | The Garden
Martin Šulík, Marek Leščák, Juraj Čurný

Kronika večných snílkov | The Sluggard Clan

Joe The First

Perla
Tomáš Krupa, Noël Czuczor, Rebeka Poláková

Varso

DVOiKA OUCE | Scheep Too

Ema a smrtihlav | The Hungarian Dressmaker

Tieň víťazstva | Magne Havnaa
Bård Breien, Eske Troelstrup, Pavel Berčík, Zuzana Mistríková

Akcia Monaco | Operation Monaco
Dušan Trančík, Peter Harum, Martin Ciel

Csongor a Thünde | The Quest

Chain Reactions
Alexandre O. Phillipe

Keď hviezdy boli červené | When the Stars Were Red
Dušan Trančík, Peter Michalovič

Letopis | Chronicle
Martin Kollár

Medové týždne | Honeymoon
Zhanna Ozirna

Nech je svetlo | Let There Be Light
Marko Škop, Ján Meliš

Nie som zlý človek | I’m Not a Bad Man
Peter Poch

Cukrkandl | Sugar Candy
Ľubomír Slivka

Kronika večných snílkov | The Sloggard Clan
Rasťo Boroš a členovia filmovej delegácie

Miša v Košiciach | Miša in Košice
Členovia filmovej delegácie

Texaský masaker motorovou pílou | The Texas Chainsaw Massacre
Alexandre O. Phillipe

Veľké finále PSO | The Grand Finale of PSO
Dominik Kalivoda

MIKI

Short films – China – Jiahao Guo (director of the film People), Thom Palmen, 25.6.2025

Ľudia | People
Jiahao Guo (director), Thom Palmen (section curator)

Short films – China – Jiahao Guo (director of the film People), Thom Palmen, 26.6.2025

Ľudia | People
Jiahao Guo (director), Thom Palmen (section curator)

Short films I – Rebeka Bizubová (director of the film Confession), Martin Kaňuch, 21.6.2025

Spoveď | Confession
Rebeka Bizubová (director), Martin Kaňuch (section curator)

Short films I – Rebeka Bizubová (director of the film Confession), Martin Kaňuch, 22.6.2025

Spoveď | Confession
Rebeka Bizubová (director), Martin Kaňuch (section curator)

Short films II – Marie-Camille Loutan (director of the film Toubab), Martin Kaňuch, 21.6.2025

Toubab
Marie-Camille Loutan (director), Martin Kaňuch (section curator)

Short films II – Marie-Camille Loutan (director of the film Toubab), Martin Kaňuch, 23.6.2025

Toubab
Marie-Camille Loutan (director), Martin Kaňuch (section curator)

Short films IV – Rifat Erkek (producer of the film The Surrogate Girl), Martin Kaňuch, 25.6.2025

Náhradné dievča | The Surrogate Girl
Rifat Erkek (producer), Martin Kaňuch (section curator)

Short films IV – Štefánia Lovasová (director of the film Venus in Retrograde) , Martin Kaňuch, 22.6.2025

Venuša v retrográde | Venus in Retrograde
Štefánia Lovasová (director), Martin Kaňuch (section curator)

Short films VI – Milan Cyroň and Tomáš Uher (directors of the film Lesya), 23.6.2026

Lesja | Lesya
Milan Cyroň, Tomáš Uher (directors), Martin Kaňuch (section curator)

Masterclass: Dušan Trančík, 23.6.2025

Masterclass: Martin Štrba, 25.6.2025

Television series production and direction – Miša v Košiciach, 21. june 2025

Co-production opportunities for foreign projects at Czech Television, Martin Novosad, 21. june 2025

Film marketing and trailer formats, Peter Pavlík, 22. june 2025

AI in documentary film, Peter Harum, 22. june 2025

Fiction and documentary directing, Dušan Trančík, 23. june 2025

The importance of grading in film, Martin Polerecký, 23. june 2025

Discussion on publishing film literature, Peter Dubecký, Mária Ferenčuhová, Peter Michalovič, Martin Kaňuch, 23. june 2025

100 years of FIPRESCI, Elena Rubashevska, 24. june 2025

JOJ play – how streaming reshapes stories and the market, Adrián Čarný, 24. june 2025

Independent film production in the USA and creative analysis of pop culture film phenomena, Alexandre O. Philippe, 25. june 2025

Cinematography in Slovak and Czech film, Martin Štrba, 25. june 2025

Film music, David Kollar, 26. june 2025

Low-budget production, Timea Huszár, 26. june 2025

Interview: director Rastislav Boroš (Kronika večných snílkov / The Sluggard Clan)

Interview: director Bård Breien, producer Pavel Berčík, co-screenwriter Eske Troelstrup (Tieň víťazstva / Shadow of Victory)

Interview: director Dušan Trančík, editor Peter Harum (Akcia Monaco / Operation Monaco)

Interview: director Kristián Grupač, Peter Varsavík, Maroš Šlapeta (Varso)

Interview: producer Rifat Erkek (Náhradné dievča / The Surrogate Girl)

Rádio Regina Východ – LIVE

Interview: director Zhanna Ozirna (Medové týždne / Honeymoon)

Interview: producer Tomáš Krupa, actress Rebeka Poláková, actor Noël Czuczor (Perla)

Interview: director Maria Zbąska (To nie je môj film / It´s Not My Film)

Interview: directors Milan Cyroň and Tomáš Uher (Lesja / Lesya)

Interview: director Štefánia Lovasová (Venuša v retrográde / Venus in Retrograde)

Interview: director Martin Kollar, grading Lucia Kovaľová (Letopis / Chronicle)

Interview: director Dominik Kalivoda (Veľké finále PSO / The Grand Finale of PSO)

Interview: director Rebeka Bizubová (Spoveď / Confession)

Interview: director Marie-Camille Loutan (Toubab)

Interview: director Ján Novák, screenwriter Hana Lasicová (Miša v Košiciach / Miša in Košice – TV miniserie)

Interview: director Alexandre O. Philippe (Chain Reactions)

Interview: director Martin Šulík, screenwriter Marek Leščák (Záhrada / The Garden)

Interview: director Marko Škop (Nech je svetlo / Let There Be Light)

Red carpet

Award presentation

Photo wall

Festival guests through the lens of Waldemar Švábenský

© Copyright IFF ART FILM, photo authors: Peter Stas, Lukáš Klimek, Marek Vavruš, Marek Eštočin, Miroslav Maťo, Waldemar Švábenský and others.

Final Press Release

The 31st edition (2025) of IFF Art Film, the largest and oldest film festival in Slovakia, expanded once again this year. The winning films were awarded the prestigious Blue Angel Awards. In addition to the three established competition sections—the International Competition of Feature Films, the International Competition of Short Films, and the International Competition of Films from Central and Eastern Europe—this year also introduced the Blue Angel – FIPRESCI Award, presented by the distinguished jury of the International Federation of Film Critics. The juries also recognized the best acting performances, directing, and presented several special mentions. During the festival, honorary awards were also presented—for the first time, the Milan Lasica Award was introduced, with Ivan Mistrík becoming its first laureate; the Actor’s Mission Award was presented by the organizers to Milan Ondrík and Daniela Kolářová; and the Golden Camera Award was presented to Martin Štrba.

The honorary Golden Camera Award for outstanding contribution to cinematography was presented to Martin Štrba, a four-time recipient of the Czech Lion Award and three-time recipient of the Sun in a Net Award, an exceptional cinematographer and filmmaker. The award was presented by director Iveta Grófová. Another honorary award—the Actor’s Mission Award for extraordinary contribution to the art of acting in film—was granted to actress Daniela Kolářová, who was unable to attend the festival due to health reasons. The Actor’s Mission Award was received during the opening ceremony at Kunsthalle Košice by Milan Ondrík, presented by actress Jana Oľhová and director Marko Škop.

Through the honorary Milan Lasica Award, the organizers aim to permanently commemorate the memory of the festival’s first and only president. The award is presented in memoriam to outstanding figures of Slovak cinematography. Hana Lasicová, together with her daughters Stela and Ester, presented the award to the family of the legendary Ivan Mistrík, whose 90th birth anniversary is commemorated in 2025.

As every year, the audience of IFF Art Film selected the best film. The JOJ Cinema Award for Best Audience Film went to Lioness, directed by Liina Triškina-Vanhatalo from Estonia.

The professional jury of the International Competition of Short Films consisted of Hungarian film producer Timea Huszár, Slovak director Alica Bednáriková, and director Zornitsa Dimitrova, originally from Bulgaria. They decided to award the Blue Angel for Best Short Film, together with a financial prize of €500, to the Slovak short film Confession (2024), directed by Rebeka Bizubová. “This is a cinematic work that strikes the viewer like a punch. Here we see the very essence of filmmaking laid bare—a raw and honest story told in a powerful yet simple way. The courage and mastery required to tell such a deeply personal story are more than remarkable. Hats off,” stated the jury. In addition to the main award, the jury also presented two Special Mentions. The first went to O (2024), directed by Rúnar Rúnarsson, praised for its sincere approach to a challenging subject: “An authentic and delicate, yet heartbreaking work that does not hesitate to show addiction in all its rawness. Masterfully handled.” Another Special Mention went to Funeral Service for You (2024), directed by María Slafranca: “A truly refreshing and absurd cinematic piece. It moves between comedy, documentary, and advertising. An absolute joy to watch.”

The professional jury of the International Competition of Films from Central and Eastern Europe consisted of FIPRESCI Vice-President, Ukrainian director, journalist and film critic Elena Rubashevska, international talent agent from France André Raphaël Ivanov, and Swedish multimedia critic and artist Anders E. Larsson. They awarded the Blue Angel for Best Film in this category to the time-lapse documentary I Was Born a Servant (2025), directed by Attila Moharos, which follows the difficult lives of two brothers in Transylvania, Romania. According to the jury: “Born in the harsh and stressful conditions of Hungarian-speaking rural areas of Transylvania in central Romania, experienced filmmaker Attila Moharos follows in his documentary the complex life of a farmhand and shepherd over the course of 23 years. Using a simple yet effective aesthetic technique interweaving past and present events, he brings us a deeply human story—marked by alcoholism and abuse—about a form of slavery most people have never even heard of.” Along with the Blue Angel Award, the film’s producers received a financial prize of €1,500.

In the International Competition of Feature Films, the jury consisted of American director Alexandre O. Philippe, Slovak director and producer Marko Škop, and Hungarian director Glória Halász. The Blue Angel for Best Feature Film was awarded to the Macedonian drama DJ Ahmet (2025). Jury member Alexandre O. Philippe explained the decision: “The award for Best Film goes to a work that boldly tells a story about the power of love. It shows us that if we follow the rhythm within ourselves and express our individuality without fear or shame, we all have the ability to free ourselves from the oppressive forces of the world around us. With great pride, we award the Blue Angel for Best Film to DJ Ahmet.” Along with the award, the producers received a financial prize of €2,000.

The Blue Angel for Best Director was also awarded to Georgi M. Unkovski for DJ Ahmet (2025). “The Blue Angel for Best Director goes to an exceptional storyteller who created a whimsical and magical world and, with an incredibly fluid, simple, and clear vision, delivered a heartbreaking and perfectly original story of star-crossed lovers in rural Macedonia. For casting the film with precision and directing it with great care and emotion,” added Glória Halász.

In addition to directing and Best Film, the international jury also recognized acting performances. The Blue Angel for Best Actress was awarded by Marko Škop and the Director of the Slovak Audiovisual Fund Vladimír Burianek jointly to Vesta Matulytė and Ieva Rupeikaitė for their performances in the Lithuanian film Toxic (2024). “The award for Best Actress goes to a dual performance by two young actresses of remarkable determination portraying teenage girls dreaming of a better life in harsh and unforgiving conditions. We were deeply moved by the authenticity of their dynamic, and in our opinion both deserve to share the Blue Angel for Best Actress.”

The jury also recognized Best Actor, awarding the Blue Angel to Arif Jakup for his convincing and authentic performance in DJ Ahmet (2025). “The award for Best Actor goes to a young and promising actor who demonstrates complete mastery of his craft, stands out with charm and sincerity, and fully convinces us of the transformative power and potential of love in a cynical world,” said Glória Halász, announcing the winner together with Zlatica Vargová, Administrator of the SPP Foundation.

The jury also decided to present a Special Mention to Slovak actress Rebeka Poláková for her performance in the Austrian-Slovak film Perla (2025). The decision was announced by Alexandre O. Philippe: “For a fascinating performance portraying a character haunted by conflicting desires in the complex environment of the Cold War period.”

The FIPRESCI Award was also presented by members of the International Federation of Film Critics—Slovak film theorist and critic Mária Ferenčuhová, British professor of film theory and critic Jonathan Murray, and Swiss film critic Malik Berkati. They chose to award the Austrian-Slovak film Perla (2024), which tells the story of an emigrant and impulsive painter returning from Vienna to communist Czechoslovakia to repay an old debt. “Our winner is an ambitious and penetrating work that avoids the false certainties of retrospective reflection and resists quick judgments. It illuminates both the politically charged past and present of Europe through themes of individual and collective exile, trauma, and systemic violence against women that persists to this day. Its dramaturgy and cinematography are united in their attempt to capture the complex and shifting nature of human identity. The visual style and narrative structure together create compositions reminiscent of paintings—subtle metaphors and reflections of the protagonist, her multilayered identity and past,” the international jury stated.

Catalog, Program and Brochure

News & Press Releases

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The non-competitive Love & Anarchy section, a long-standing pillar of the IFF Art Film programme, will showcase ten

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Meet the Jury of the 31st IFF Art Film Short Film Competition

The short film competition is a staple of the festival programme, and once again this year, the winners and other

ART FILM 2025 Festival Announces Jury for the International Competition of Central and Eastern European Films

The ART FILM 2025 Festival unveils the jury for its International Competition of Central and Eastern European Films, a

Central and Eastern Europe on Screen: Stories Between Past and Present

“The selection of films for this section is always a chance to reflect on how far the world has come

Festival Newspaper

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Noviny-2025-02
Noviny-2025-03
Noviny-2025-04

Festival television

Press Conferences

Hercova misia – Milan Ondrík
Actor’s Mission Milan Ondrík

Tlačová konferencia pred začatím 31. ročníka
Press Conference prior to 31. IFF Art Film

Interviews

Hercova misia – Milan Ondrík
Actor’s Mission

Zlatá kamera – Martin Štrba
Golden Camera – Martin Štrba

Martin Šulík a Marek Leščák
Záhrada | The Garden

Celeste Buckingham
Speváčka | Singer

Malik Berkati
Porota FIPRESCI | FIPRESCI Jury

Mária Ferenčuhová
Porota FIPRESCI | FIPRESCI Jury

Jonathan Murray
Porota FIPRESCI | FIPRESCI Jury

Alexandre O. Phillipe
Porota Medzinárodnej súťaže hraných filmov | International Competition of Feature Films Jury

Glória Halász
Porota Medzinárodnej súťaže hraných filmov | International Competition of Feature Films Jury

Marko Škop
Porota Medzinárodnej súťaže hraných filmov | International Competition of Feature Films Jury

Anders E. Larsson
Porota medzinárodnej súťaže filmov strednej a východnej Európy | Jury member of the International competition of films from the countries of Central and Eastern Europe

André Raphaël Ivanov
Porota medzinárodnej súťaže filmov strednej a východnej Európy | Jury member of the International competition of films from the countries of Central and Eastern Europe

Elena Rubashevska
Porota medzinárodnej súťaže filmov strednej a východnej Európy | Jury member of the International competition of films from the countries of Central and Eastern Europe

Alica Bednarikova
Porota medzinárodnej súťaže krátkych filmov | Jury member of the International Competition of Short Films

Timea Huszár
Porota medzinárodnej súťaže krátkych filmov | Jury member of the International Competition of Short Films

Zornitsa Dimitrova
Porota medzinárodnej súťaže krátkych filmov | Jury member of the International Competition of Short Films

Hana Lasicová
Miša v Košiciach | Miša in Košice

Ján Novák
Miša v Košiciach | Miša in Košice

Zuzana Mistríková
Producentka | Producer

Rastislav Boroš
Kronika večných snílkov | Chronicle of Eternal Dreamers

Marie-Camille Loutan
Toubab | Toubab

Rebeka Bizubová
Spoveď | Confession

Ľubomír Slivka
Cukrkandl | Sugar Candy

Dominik Kalivoda
Veľké finále PSO | The Grand Finale of PSO

Jakub Kroner
Televízna miniséria MIKI | Television miniseries MIKI

Marko Škop
Nech je svetlo | Let There Be Light

Lucia Kovaľová
Letopis | Chronicle

Juraj Čurný
Hovorca IFF ART FILM 2025 | Spokesperson of IFF ART FILM 2025

Martin Kollár
Letopis | Chronicle

Peter Poch
Nie som zlý človek | I’m Not a Bad Man

Štefánia Lovasová
Venuša v retrográde | Venus in Retrograde

Branislava Hronská
TV Jojko | TV Jojko

Dušan Trančík
Akcia Monaco | Operation Monaco

Alexandre O. Philippe
Chain Reactions

Martin Ciel
Akcia Monaco | Operation Monaco

Pavel Berčík
Tieň víťazstva | Shadow of Victory

Peter Harum
Akcia Monaco | Operation Monaco

Bård Breien
Tieň víťazstva | Shadow of Victory

Milan Kolcún
Moderátor talkshow Bez šepkára | Host of the talk show Bez šepkára

Eske Troelstrup
Tieň víťazstva | Shadow of Victory

Tibor Búza
NEPELA | NEPELA

Milan Cyroň & Tomáš Uher
Lesja | Lesja

100. výročie FIPRESCI | 100th anniversary of FIPRESCI
Hostia | Guests: Anders E. Larsson, Elena Rubashevska, Malik Berkati, Jonathan Murray, Mára Ferenčuhová

Kristína Kúdeľová
Filmová novinárka a členka asociácie Golden Globes | Film journalist and member of the Golden Globes association

Rebeka Poláková
Perla

Tomáš Krupa
Perla

Noël Czuczor
Perla

Jakub Červenka
NEPELA | NEPELA

Peter Pavlík
DVOiKA OUCE | SCHEEP TOO

Zhanna Ozirna
Medové týždne | Honeymoon

Rifat Erkek
Náhradné dievča | Surrogate Girl

Maria Zbąska
Toto nie je môj film | It’s Not My Film

Martin Palúch
Umelecký riaditeľ IFF Art Film | Artistic director of IFF Art Film

Marek Vaňous
Joe the First | Joe the First

Branko Cap
Joe the First | Joe the First

Wu Yixuan
Členka delegácie čínskych filmov | Chinese film delegation

Jiahao Guo
Ľudia | People

Sylvia Huszár
Divadelná teoretička, prekladateľka a manažérka | Theatre theorist, translator, and manager

Peter Harum
AF INDUSTRY: UI v dokumentárnom filme | AF INDUSTRY: UI in a documentary film

Martin Novosad
AF INDUSTRY: Možnosti koprodukcií zahraničných projektov v Českej televízii | AF INDUSTRY: Opportunities for Co-Producing International Projects at Czech Television

Thom Palmen
Zostavovateľ sekcie Nová nádej v súčasnej čínskej kinematografii | Curator of the section New Hope in Contemporary Chinese Cinema

Martin Polerecký
AF INDUSTRY: Dôležitosť gradingu vo filme | AF INDUSTRY: The Importance of Grading in Film

Adrián Čarný
AF INDUSTRY: Streaming | AF INDUSTRY: Streaming

Festival Dailies

IFF ART FILM 2025
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IFF ART FILM 2025
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IFF ART FILM 2025
day 3

IFF ART FILM 2025
day 4

IFF ART FILM 2025
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Jury

Jury of the International Competition of Feature Films

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Glória Halász

Glória Halász has directed eight full-length documentaries – Iron Curtain (2011), Dr. Lala (2014), What a Circus! (2016), Rupa’s Boutique (2017), Three Dances (2018), Alla Zingara (2019), Circus Siblings (2023) and Who Cares About Pal Frenak (2025) – which were featured and awarded at acknowledged film festivals, gained main prizes. She has developed and created various film projects on a wide variety of topics, including films about a jail theatre company, a clown doctor, women in India and their stories of survival after major acid attacks or a Hungarian circus artist class that spent a semester in Kyiv before the war. The relationship between fantasy and reality is a recurring theme in both her documentary and fiction works, exploring how imagination can be a handhold in a seemingly hopeless situation. She is currently preparing for her fictional feature film titled Puppetry.
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Alexandre O. Philippe

A 3-time Sundance Film Festival alum, Alexandre O. Philippe has developed his own brand of “cinema essay,” exploring the art of filmmaking and its practitioners. Most of his films take on the role of unpacking the most influential works of master filmmakers, and dissecting seminal screen moments. Selected past works include: You Can Call Me Bill (SXSW ‘23), Leap of Faith: William Friedkin on the Exorcist (Venice ’19, Sundance ‘20), Memory: The Origins of Alien (Sundance ’19), 78/52: Hitchcock’s Shower Scene (Sundance ’17), Doc of the Dead (SXSW’14), and The People vs. George Lucas (SXSW ’10). His latest film, Chain Reactions, won the prestigious Venice Classics Lion at the 2024 Venice International Film Festival. Lynch/Oz – Alexandre’s unique take on the art and cinema of David Lynch – premiered at the Tribeca Film Festival. He is currently working on two films with Hollywood icon Kim Novak.
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Marko Škop

He graduated in journalism from the Faculty of Arts of Comenius University in Bratislava (1996) and in documentary film directing from the Academy of Performing Arts in Bratislava (2001). He received his PhD from the Faculty of Arts of Comenius University in Bratislava (2005). His feature debut, Other Worlds (2006), received a Special Jury Mention at the Karlovy Vary IFF and was the first documentary film at the festival to win the Audience Award. His documentary film Osadné (2009) was awarded Best Documentary at the Karlovy Vary IFF, and his feature debut Eva Nová (2015) won the FIPRESCI Prize at the 2015 Toronto IFF. His latest film, Let There Be Light, was awarded a Special Mention by the Ecumenical Jury at the Karlovy Vary IFF and earned Milan Ondrík the Best Actor Award. In addition to his own films, he has also worked as a producer or co-producer on Blind Love and Miracle (dir. Juraj Lehotský), New Life of a Family Album (dir. Adam Oľha), Ice Mother (dir. Bohdan Sláma), Little Crusader (dir. Václav Kadrnka) and Dry Season (dir. Bohdan Sláma).

Jury of the International Competition of Short Films

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Alica Bednáriková

Alica Bednáriková is a Slovak film director. Her films Boredom (2020) and Liquid Bread (2021) have been screened at international festivals in Cannes, Karlovy Vary, Clermont-Ferrand, and others, and have received several awards, including a Special Mention in the short film competition at the Art Film Fest IFF in Košice. She is currently working on her graduation short film Attention Whores and her debut feature film.
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Zornitsa Dimitrova

Zornitsa is a Berlin-based director and a graduate of the Film Academy in Ludwigsburg, Baden-Württemberg. Her diploma short film, A Dark Moment of Faith, won multiple awards at prestigious festivals like D&AD, the Young Director Award at Cannes Lions, 1.4 the Award Show, Shots Awards EMEA, Clio, and Berlin Commercial. Zornitsa’s directing style blends precision with improvisation, focusing on strong, character-driven storytelling with a distinctive angle and a beautifully cinematic visual style. She has a special passion for telling stories about strong women. Her commercials, even in short formats, feel like feature films, leaving a lasting impression on the audience. If you look closely, you’ll often find a hidden middle finger woven into the narrative. Her short film A Dark Moment of Faith was selected for the Competition at the Art Film Fest IFF in 2023.
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Timea Huszár

Timea Huszár is a producer involved with short films, documentaries and features. She started off working on international service productions as a personal assistant to producers on productions such as Halo, The Continental, Dune, Red Sparrow, Wonder Woman and has a 10-year experience in film production and service. She has graduated in 2015 from the National Film and Television School (NFTS) with a background in production management. Last year she has completed the European Co-production Legal and Financial aspects workshop at the Erich Pommer Institute. In 2023 she has service produced Vita Mia, an Italian feature film directed by Edoardo Winspeare in Transylvania, and been one of the producers on Enigmele Romanei for History Channel Romania. Currently she has both documentary and live action films in development.

Jury of the International Competition of Films from Central and Eastern Europe

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André Raphaël Ivanov

André Raphaël Ivanov is a producer and international talent agent with significant experience in the fields of cinema and the audiovisual arts. His career has involved professional collaborations with recognized artists such as Kevin Spacey, Ralph Fiennes, Juliette Binoche, Samy Naceri, and Samal Yeslyamova. As the founder and artistic director of the Kazakh Film Festival in Paris and a member of the Network for the Promotion of Asian Cinema (NETPAC), Mr. Ivanov is dedicated to advancing cinema as a medium for cultural exchange and mutual understanding. In addition to his work in production and talent representation, Mr. Ivanov advises on programming for international festivals and has served on juries at numerous film events, including the Venice IFF, where he has contributed to recognizing films of artistic and cultural significance.
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Anders E Larsson

Anders E Larsson is a Swedish film and stage critic, writer, musician and poet. He is the editor of Kontradiktion.fi, a magazine for digital and experimental poetry, and he contributes to the film magazines Point of View and FLM. Previously, he served as a culture editor for various newspapers. He is the former director of the oldest Swedish genre film festival, Lund Fantastic Film Festival, and last year he was in charge of the festival magazine at Stockholm Film Festival. He composed the score for the Guldbagge-awarded feature film Garden Lane and is now writing music for the documentary Fossil, Fire, Footprints. He is the singer/songwriter in indie rock trio Slowmotion Club and solo project The Sad Highway. As an actor, he has worked in film, theatre and musicals. Over the years, he has served on a number of FIPRESCI’s festival juries.
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Elena Rubashevska

Film critic, writer, and festival programmer, FIPRESCI vice president and communication officer. Member of the Golden Globes, The Critics Award for Arab Films Commission, and Ukrainian Film Critics’ Award voting committees. Former advisor for the Ukrainian Book Institute. Mentor of Her Story, Her Future programme for female filmmakers. Over the years, she collaborated with OKO International Ethnographic Film Festival (Ukraine/Bulgaria), EnergaCAMERIMAGE International Film Festival of the Art of Cinematography (Poland), and Göteborg Film Festival (Sweden). Author of a book about Ukrainian Poetic Cinema and research of Czechoslovak films. Her particular area of interest lies in the field of documentary cinema with a strong visual component, as well as regional author cinema.

FIPRESCI Jury

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Malik Berkati

Malik Berkati is a Swiss journalist, film critic and political scientist, based in Berlin, Germany. He has worked for several years at festivals in Western Switzerland (PR and program adviser). He is the co-founder and editor-in-chief of an international multilingual online magazine focusing on culture and civic awareness (j:mag), and a correspondent in Berlin for various newspapers and magazines from the French-speaking part of Switzerland. He has served on numerous international juries in Europe and Asia for FIPRESCI, as well as on the German Film Critics (VdFK) juries for Best German Documentary (2017, 2022 and 2023), Best German Short Film (2019–2021), and since 2020 Jury Member of The Critics Award for Arab Films of the Arab Cinema Center (ACC). He is also member of the Swiss Association of Film Journalists and the European Film Academy.
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Mária Ferenčuhová

Mária Ferenčuhová is a Slovak poet, translator, film theorist, and dramaturge. She is the author of five poetry books, the most acclaimed of which, Imunita, has been translated into French, Ukrainian, Slovenian, and Serbian. Selections from her poetry have been published in the United Kingdom, Spain, and Germany. She is also the author and editor of three monographs on film: Odložený čas. Filmové pramene, historiografia, dokumentárny film (2009), Dokumentárny film v krajinách V4 (2014) and Nový slovenský film (2015, with K. Mišíková). She specializes primarily in Slovak auteur documentary film and film essays. From 2003 to 2018, she worked at the Film and Television Faculty of the Academy of Performing Arts (VŠMU). Between 2020 and 2024, she was an editor for the monthly film magazine Film.sk. Today, she works as a research fellow at the Slovak Film Institute and lectures on documentary film dramaturgy at the Academy of Arts in Banská Bystrica.
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Jonathan Murray

Jonathan Murray is Professor of Film Theory, History and Criticism at the University of Edinburgh, and a Contributing Writer for Cineaste magazine and co-Principal Editor of the Journal of British Cinema and Television. He is the author of The New Scottish Cinema (2015) and Discomfort and Joy: The Cinema of Bill Forsyth (2011) and co-editor of several scholarly anthologies, including (with Nea Ehrlich) Drawn from Life: Issues and Themes in Animated Documentary Cinema (2019).