{"id":5952,"date":"2016-06-10T21:58:43","date_gmt":"2016-06-10T19:58:43","guid":{"rendered":"https:\/\/www.artfilmfest.sk\/en\/?p=5952"},"modified":"2016-06-10T21:58:43","modified_gmt":"2016-06-10T19:58:43","slug":"25-years-later-suliks-everything-i-like-returning-to-silver-screen-at-art-film-fest","status":"publish","type":"post","link":"https:\/\/iffartfilm.com\/en\/blog\/news\/2016\/06\/25-years-later-suliks-everything-i-like-returning-to-silver-screen-at-art-film-fest\/","title":{"rendered":"25 years later, \u0160ul\u00edk\u2019s Everything I Like returning to silver screen at Art Film Fest"},"content":{"rendered":"

By 1992, a period of turbulent change was behind us: the fall of Communism and the long-anticipated arrival of freedom. The old was out, but the new was still on its way in. And further turbulence was on the horizon. The end of the joint Czech-Slovak state was rocketing towards us. The climate in Slovakia was particularly hot at the time, not just politically, but literally \u2013 average daily temperatures were consistently tropical for nearly all of August. And during all this, talented director Martin \u0160ul\u00edk was shooting his second feature film, Everything I Like<\/em><\/strong>. His first independent, non-state production \u2013 and his first project with producer Rudolf Biermann.<\/p>\n

\u201cWe wanted to capture the atmosphere at the start of the 90s, a time when society was in flux. Every one of us suddenly had so many new things we could do with our lives. We could travel, start a business, get a job in advertising or simply head straight into politics.<\/em><\/strong> Everything was in motion, there was still hope and humour in our society,\u201d <\/em><\/strong>reminisces \u0160ul\u00edk. The first Slovak film to capture the transition period after the fall of the iron curtain, Everything I Like<\/em> was premiered shortly after the founding of the independent Slovak Republic as the country\u2019s first domestic production. And so the two set off on their respective journeys nearly simultaneously \u2013 the newborn country and the latest work of a young director.<\/p>\n

The film was met with immediate, unequivocal success. With their newly acquired freedom, the filmmakers discovered new possibilities of cinematic expression, both in style and in content. Over the next two years, the film accumulated heaps of praise from critics at home and abroad as well as grand prizes at international film festivals across Europe. The independent republic, for its part, had a slower, more complicated start. But fortunately the Hollywood happy ending eventually came \u2013 today Slovakia is a firmly established European country, whereas Everything I Like<\/em><\/strong> has become a classic of Slovak cinema.<\/p>\n

It is because of all this that the Slovak Film Institute has included the picture among the ten Slovak films to be digitalized and digitally restored as part of the national project Digital Audiovision. But wouldn\u2019t it be a shame if the newly restored film were just left to collect dust in the archives? And so, after 25 years, Everything I Like<\/em> <\/strong>is returning to Slovak cinemas. The gala premiere will be held on 22 June in Ko\u0161ice as part of the Art Film Fest International Film Festival. The very next day, the film will begin its journey to audiences old and new, providing fans of quality cinema with an authentic glimpse into a time so recent yet so distant. Have we changed enormously, just a bit, or hardly at all since then?<\/p>\n

Everything I Like<\/em><\/strong> tells the story of divorced, currently unemployed 30-something Tom\u00e1\u0161 (Juraj Nvota), who experiences a relationship crisis with his English girlfriend Ann (Gina Bellman). The temperamental, free-spirited woman is going home, and she wants Tom\u00e1\u0161 to join her. The offer is highly tempting, but it would mean abandoning his teenage son, who is undergoing a difficult phase, and his parents, who are getting old enough to start needing help. Not to mention his ex-wife (Zdena Studenkov\u00e1), who also has a thing or two to say about it\u2026<\/p>\n

The onscreen lover of director and occasional actor Juraj Nvota was English actress Gina Bellman, who has since become an established television star, famous above all for the series Leverage<\/em>, broadcast in Slovakia as Podvodn\u00edci<\/em>. Tom\u00e1\u0161\u2019s teenage son was portrayed by Jakub Urs\u00edny, today a highly regarded musician who continued in the footsteps of his legendary father, De\u017eo Urs\u00edny.\u00a0 Zdena Studenkov\u00e1, as Tom\u00e1\u0161\u2019s ex-wife, requires no introduction to Czech or Slovak audiences, but perhaps we should mention that she is the only one to have remained nearly unchanged since the film was shot.<\/p>\n

\u201c<\/em><\/strong>Everything I Like may well be my most personal film. It\u2019s personal because my father, Anton \u0160ul\u00edk, plays in it, but also because many of the situations that ended up in the film are based upon reality,\u201d<\/em> <\/strong>acknowledges director Martin \u0160ul\u00edk.\u00a0 The film was also pivotal in that it marked the first of many works from the team revolving around director Martin \u0160ul\u00edk and producer Rudolf Biermann, which included cinematographer Martin \u0160trba, production designer Franti\u0161ek Lipt\u00e1k, composer Vlado God\u00e1r and screenwriter Ondrej \u0160ulaj. Together they would go on to make such films as The Garden<\/em>, Orbis Pictus<\/em> and Landscape <\/em>\u2013 an oeuvre that was one of the few shining lights in 1990s Slovak cinema, which was essentially decimated by the closure of Koliba Studios, the former state-owned film studio. \u201cI simply can\u2019t believe that it\u2019s been 25 years already, but there\u2019s one thing I do know for sure \u2013 I\u2019ve never regretted it. Martin is a lovely person and a filmmaker body and soul,\u201d<\/em> <\/strong>sums up producer Rudolf Biermann.<\/p>\n

Everything I Like <\/em>will be released to Slovak cinemas on 23 June, distributed by Garfield Film.<\/p>\n

 <\/p>\n

 <\/p>\n

Art Film Fest \u2013 a new city, a new programme and new ways to have a great time!<\/p>\n

Organizers: ART FILM FEST, s.r.o., Forza, a.s.<\/p>\n

Co-organizers: The City of Ko\u0161ice, K13<\/p>\n

The festival is held under the auspices of Prime Minister of the Slovak Republic Robert Fico.<\/p>\n

Financial support: The Audiovisual Fund<\/p>\n

Main Sponsors: InVestito, Transpetrol, Slovensk\u00e1 po\u0161ta, Slovnaft, Kosit<\/p>\n

Official festival automobile: Hyundai<\/p>\n

Official carrier: \u010cSA<\/p>\n

Logistics partner: DHL<\/p>\n

Official festival hotel: Hotel Yasmin<\/p>\n

Sponsors: Herberia, Ida Sandor, HC Ko\u0161ice, Imperator, Stella Artois<\/p>\n

Exclusive festival cinema: Kino \u00dasmev<\/p>\n

Official suppliers: NOV s.r.o. Zebra, Budi\u0161, Tikoki, Barzzuz, Livina, Jean Charles-Cafe de Paris<\/p>\n

Main carrier: \u017delezni\u010dn\u00e1 spolo\u010dnos\u0165 Slovensko<\/p>\n

Official festival daily: Ko\u0161ice Dnes<\/p>\n

Main media partners: Radio and Television of Slovakia, Nov\u00fd \u010das<\/p>\n

Media partners: R\u00e1dio FM, R\u00e1dio Regina, Korz\u00e1r, SME, JOJ Cinema, aktuality.sk. R\u00e1dio Ko\u0161ice, Film Europe Channel, Forbes, Kam do mesta, webnoviny.sk,<\/p>\n

TV NA\u0160A<\/p>\n

Partners: Kino \u00dasmev, Autocont, Congress Hotel Centrum, Carpano, Casablanca cafe, Hotel Maraton, DigitalOcean, Taba\u010dka Kulturfabrik, The Cuba Libre, SSU\u0160 Filmov\u00e1, Hotel ROCA, Czech Tourism Slovensko, Bratislava Region Tourism, Pan-European University, Translata, predpredaj.sk<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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