{"id":49231,"date":"2026-06-21T15:00:34","date_gmt":"2026-06-21T13:00:34","guid":{"rendered":"https:\/\/iffartfilm.com\/?p=49231"},"modified":"2026-06-22T12:11:06","modified_gmt":"2026-06-22T10:11:06","slug":"peter-dubecky-the-audiovisual-heritage-of-the-slovak-republic-has-been-saved","status":"publish","type":"post","link":"https:\/\/iffartfilm.com\/en\/blog\/news\/2026\/06\/peter-dubecky-the-audiovisual-heritage-of-the-slovak-republic-has-been-saved\/","title":{"rendered":"Peter Dubeck\u00fd: \u201cThe audiovisual heritage of the Slovak Republic has been saved.\u201d"},"content":{"rendered":"<p style=\"font-weight: 400;\"><strong>The Golden Camera Award of the 32nd IFF Art Film, which the festival has been giving since 2001 for an outstanding contribution to cinema, was received on Friday, 19 June 2026 at Kunsthalle Ko\u0161ice by the director general of the Slovak Film Institute (SF\u00da) Peter Dubeck\u00fd. In a festival interview he opened the full arc of his nearly thirty years of work at SF\u00da \u2014 from saving the audiovisual heritage in the difficult 1990s, through the launch of systematic digitisation, to the present-day presence of Slovak film classics on both public-service and private television in a technical standard comparable to Western Europe.<\/strong><\/p>\n<p style=\"font-weight: 400;\">The award, which was presented to him at the opening ceremony by Czech director Fero Feni\u010d, <strong>Dubeck\u00fd<\/strong> sees as a collective recognition. <em>\u201cI really thank Art Film not only for remembering me and giving me this incredible award. I see the Golden Camera as recognition of the Film Institute itself and especially of all my colleagues, whom I also thank for the work they do,\u201d<\/em> said <strong>Peter Dubeck\u00fd<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" title=\"IFF AF 26 | Rozhovor Peter Dubeck\u00fd\" width=\"1220\" height=\"686\" src=\"https:\/\/www.youtube.com\/embed\/KqNFaGQEVtg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"font-weight: 400;\">The journey to today&#8217;s SF\u00da began in difficult conditions, he says. <em>\u201cWhen I took over as director, the institute was starting from scratch. We were relocating and saving the building as well as the negatives and security materials that were at Koliba. The agreement at the time was that the materials would be stored for thirty years in unsuitable conditions. It was a very complex process, but we managed to weather it. We moved the materials out of Koliba \u2014 and that was the rescue, because the studio along with the documentation and economics departments were later hit by fires and floods,\u201d<\/em><strong>Dubeck\u00fd<\/strong> explained.<\/p>\n<p style=\"font-weight: 400;\">Out of this \u201cfirst aid\u201d grew the project of systematic rescue and restoration of the audiovisual heritage, which has been running since 2006, that is for twenty years. In 2013 SF\u00da became part of a European Union project thanks to which it built digitisation facilities. <em>\u201cI am glad that all governments \u2014 eleven ministers I have experienced \u2014 accepted these important things. Audiences today see the result on both public-service and private TV. Digitised, restored films are being broadcast at a standard comparable to Western Europe,\u201d<\/em> <strong>Dubeck\u00fd<\/strong> said. The restoration project has been approved by the government until 2034.<\/p>\n<p style=\"font-weight: 400;\">According to <strong>Dubeck\u00fd<\/strong>, the current state of restoration stands at approximately 80 percent for feature films and 60 percent for the entire project. Animated films are fully completed, documentary and commissioned films are progressing. <em>\u201cThe Slovak Film Institute has nine titles among the top twenty-five most-watched films on television, which is wonderful. These are classics audiences will return to \u2014 once they no longer see them scratched. Today&#8217;s screens have such resolution that you really must deliver perfect picture and perfect sound,\u201d<\/em> <strong>Dubeck\u00fd<\/strong> added.<\/p>\n<p style=\"font-weight: 400;\">Part of SF\u00da&#8217;s mission is also the physical distribution of Slovak films in a carrier edition \u2014 from the 1940s to the 1980s. <em>\u201cWe have released more than half a million carriers of Slovak films. It has met great response and publicity. The DVD as a carrier is slowly disappearing, but Blu-ray has become a cinephile tool. And paradoxically, our films on Blu-ray are released not only at home but also abroad \u2014 in the Czech Republic, in France, in the United Kingdom and even in the United States,\u201d<\/em> <strong>Dubeck\u00fd<\/strong> revealed.<\/p>\n<p style=\"font-weight: 400;\">Among book editions, <strong>Dubeck\u00fd<\/strong> highlighted the preparation of the second volume of the monumental <em>History of Slovak Cinema<\/em> in cooperation with Prof. V\u00e1clav Macek \u2014 covering the period from 1970. He also noted that the film monthly <em>Film.sk<\/em>\u00a0has moved from print to online. <em>\u201cThese are things the world and the times bring. We have to perceive it that way,\u201d<\/em> he stated.<\/p>\n<p style=\"font-weight: 400;\">The importance of festivals such as IFF Art Film in today&#8217;s Slovak audiovisual landscape is, according to <strong>Dubeck\u00fd<\/strong>, fundamental. <em>\u201cRunning a festival today is extremely difficult. Public funding is always fluctuating and unpredictable, three-year grants which used to be available no longer really work. Ko\u0161ice, however, is excellent for organising a festival: Kulturpark, Kunsthalle, Kino \u00dasmev\u2026 Those five or six halls are perfectly sufficient. In the digital era you can find a lot of films online, but many essential art-house titles you cannot. If someone is really looking for a specific film or director, they have a chance to see it at a festival,\u201d<\/em> he explained. In the same spirit he mentioned the Bratislava <em>Kino Lumi\u00e8re<\/em>, run by SF\u00da and visited by approximately 120,000 viewers a year. Alongside premieres of independent Slovak producers, it also has the archival hall Filmot\u00e9ka and access to collection funds.<\/p>\n<p style=\"font-weight: 400;\">Asked whether, as a long-standing \u201cman behind the scenes\u201d of Slovak film, he had ever been tempted by his own creative work, <strong>Dubeck\u00fd<\/strong> summed it up soberly. <em>\u201cI see myself rather as a manager, an audiovisual public official with a certain producer overlap \u2014 which is kind and pleasant to have. The Slovak Film Institute is co-producer of almost eighty films. Many documentary, feature, animated and student films would not have been made without SF\u00da. There too I have the chance to enter the dramaturgy and look for the shape in which a film can stand. To direct creative work \u2014 screenwriting, directing or otherwise \u2014 I have only contributed a little, most recently with the monograph on Miloslav Luther together with Peter Michalovi\u010d,\u201d<\/em> <strong>Peter Dubeck\u00fd<\/strong> concluded.<\/p>\n<p style=\"font-weight: 400;\">The 32nd IFF Art Film Ko\u0161ice continues until Thursday, 25 June 2026. The complete festival programme can be found at aff.cinepass.sk.<\/p>\n<hr \/>\n<p style=\"font-weight: 400;\"><strong>The 32nd IFF ART FILM is being held with the support of:<\/strong><\/p>\n<p style=\"font-weight: 400;\"><strong>Main organizer: <\/strong>ART FILM FEST s.r.o.<\/p>\n<p style=\"font-weight: 400;\"><strong>Co-organizers: <\/strong>City of Ko\u0161ice, K13 \u2013 Ko\u0161ice Cultural Centres, Visit Ko\u0161ice, ART FILM FEST, n.o.<\/p>\n<p style=\"font-weight: 400;\"><strong>With the financial support of: <\/strong>the Slovak Audiovisual Fund<\/p>\n<p style=\"font-weight: 400;\"><strong>The project was co-financed by <\/strong>the Ko\u0161ice Self-governing Region from the Terra Incognita program<\/p>\n<p style=\"font-weight: 400;\"><strong>Main partners: <\/strong>CODES Brand House, H2O FUND SICAV, Forstav<\/p>\n<p style=\"font-weight: 400;\"><strong>Automotive partner: <\/strong>AUTO-VALAS<\/p>\n<p style=\"font-weight: 400;\"><strong>Official hotel: <\/strong>Hotel Yasmin<\/p>\n<p style=\"font-weight: 400;\"><strong>Main media partners: <\/strong>TV JOJ, Pravda, Eurotelev\u00edzia<\/p>\n<p style=\"font-weight: 400;\"><strong>Sponsors: <\/strong>U. S. Steel Ko\u0161ice, ANTIK Telecom, Kino \u00dasmev, LOKO TRANS Media, CORE Labs, Technical University of Ko\u0161ice<\/p>\n<p style=\"font-weight: 400;\"><strong>Technological partners: <\/strong>NOV, ZEBRA, Deutsche Telekom Systems Solutions Slovakia, DELTA OnLine, ARICOMA, Datacomp<\/p>\n<p style=\"font-weight: 400;\"><strong>Official suppliers: <\/strong>DKC Veritas, PLOOM, DOMOS SLOVAKIA, Re\u0161taur\u00e1cia Contessa, Natura, Kinley, Budweiser Budvar, Julius Meinl<\/p>\n<p style=\"font-weight: 400;\"><strong>Official wine: <\/strong>KubBo Select, Ostro\u017eovi\u010d<\/p>\n<p style=\"font-weight: 400;\"><strong>Media partners: <\/strong>JOJ play, JOJ 24, Film Europe Media Company, R\u00e1dio KO\u0160ICE, Aktuality.sk, Forbes, Startitup.sk, Korz\u00e1r, Slovenka, SITA, TASR, Mediaboard, AHOJ TV, See &amp; Go, BigMedia, Kino Sterio, Ko\u0161ice City Guide, Ko\u0161ice V Skratke, MOJAkultura.sk, \u010cesko-Slovensk\u00e1 filmov\u00e1 datab\u00e1ze \u2013 \u010cSFD, Filmsk.sk, diva.sk, koktejl.sk, zenskyweb.sk, Na\u0161e Ko\u0161ice<\/p>\n<p style=\"font-weight: 400;\"><strong>Partners: <\/strong>JOJ Cinema, Jojko, Slovak Film Institute, WITKOWITZ SLOVAKIA, DDDental, CK TUI ReiseCenter Slovensko, Taper, ECO Technologies, Aupark Shopping Center Ko\u0161ice, Ko\u0161ice Public Transport Company, Ko\u0161ice Airport, YumEarth, Rent2Eat, CPK Transport, iWish.sk, Kvety Garomi, Hair Factory Ko\u0161ice, Face up! Studio by Michaela Petroci, Panta Rhei, ARTFORUM, LOCAL NOMAD, East-Slovak Museum in Ko\u0161ice, MIHYRING<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Golden Camera Award of the 32nd IFF Art Film, which the festival has been giving since 2001 for an<span class=\"excerpt-hellip\">","protected":false},"author":8,"featured_media":49230,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,24,27],"tags":[182],"class_list":["post-49231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-people","category-press-news","tag-aff-2026"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.2 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Peter Dubeck\u00fd: \u201cThe audiovisual heritage of the Slovak Republic has been saved.\u201d &#8226; 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