{"id":44177,"date":"2025-06-21T16:00:29","date_gmt":"2025-06-21T14:00:29","guid":{"rendered":"https:\/\/iffartfilm.com\/?p=44177"},"modified":"2025-06-25T22:54:20","modified_gmt":"2025-06-25T20:54:20","slug":"rastislav-boros-i-think-ive-made-an-indian-film","status":"publish","type":"post","link":"https:\/\/iffartfilm.com\/en\/blog\/news\/2025\/06\/rastislav-boros-i-think-ive-made-an-indian-film\/","title":{"rendered":"Rastislav Boro\u0161: \u201cI think I\u2019ve made an Indian film.\u201d"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"IFF AF 25 | Rastislav Boro\u0161\" width=\"1220\" height=\"686\" src=\"https:\/\/www.youtube.com\/embed\/bGAUhbuWE4Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Your new film The Sluggard Clan\u00a0is a loose adaptation of <em>\u0164ap\u00e1kovci<\/em>. What about this source captivated you so much that you decided to adapt it for the screen?<\/strong><\/p>\n<p><em>My source text by Bo\u017eena Slan\u010d\u00edkov\u00e1 Timrava completely enchanted me. For one simple reason\u2014there is something in that book that I, for myself, have called \u201cthe soul of the Slovak nation.\u201d It sounds a little lofty, but it\u2019s very true. Quite simply, when I came across \u0164ap\u00e1kovci again after many years, I told myself I had to film it. I literally couldn\u2019t resist.<\/em><\/p>\n<p><em>The film was also shaped by the fact that \u0164ap\u00e1kovci is written in literary realism, meaning it\u2019s a social drama. As a person and as an author, I\u2019m wired quite differently. I\u2019m more temperamental; I like multiple time planes and narrative layers in film. I enjoy genres such as magical realism. So I had to adapt the source material to my own sensibilities. I decided to treat the film as a loose adaptation and created an entirely new fictional world\u2014a world of people lost in their own dreams. That\u2019s why they are surrounded by a vibrant environment that defies the laws of physics, where the living naturally coexist with the spirits of their dead ancestors.<\/em><\/p>\n<p><strong>Since you mentioned the spirit of the nation: our national anthem also says that Slovakia slept for a long time and needs to wake up. Do you want to wake Slovaks up with this film? Do you think Slovaks will see themselves in it?<\/strong><\/p>\n<p><em>I hope they will. And I also hope they will love this film. When I was younger, I idealistically thought you could change the world with a film. It\u2019s not that simple. We won\u2019t change the whole country either, but I believe we need to talk about who we are\u2014and we need to talk about it truthfully, even when it\u2019s uncomfortable. That\u2019s okay. Truth is incredibly important, because if we don\u2019t deal with the truth, if we don\u2019t think about ourselves, we\u2019ll disappear.<\/em><\/p>\n<p><em>The film is a bit critical, yet I hope you can feel that all the human shortcomings it touches on are balanced by great virtues such as love.<\/em><\/p>\n<p><em>That\u2019s exactly how we humans work. We try to achieve something, we chase our dreams, and almost invariably it ends disastrously. The only thing that truly matters is love\u2014love in all its forms. Whether it\u2019s romantic, maternal, or a sincere love for a meaningful idea. That\u2019s what the film is about. What\u2019s more, it\u2019s told with irony, full of gags, and all the characters are both sad and funny. That\u2019s how I wanted to touch the truth\u2014who we are\u2014and I wanted to do it with love for all of us.<\/em><\/p>\n<p><strong>How are the first Slovak viewers, who already saw the film in Ko\u0161ice at Art Film, responding to this truth?<\/strong><\/p>\n<p><em>The very first Slovak viewers only saw it yesterday, and it\u2019s too early for me to evaluate it objectively. I have only subjective reactions from a variety of target groups\u2014from professionals, filmmakers, intellectuals, all the way to people who have nothing to do with film, even people for whom film may be a completely useless thing. Still, I don\u2019t dare assess it yet; it\u2019s too soon. But I can say I\u2019ve heard a lot of nice things.<\/em><\/p>\n<p><strong>Your film, however, has achieved great success abroad. It was awarded Best Independent European Film at a festival in Paris. How did foreign audiences react?<\/strong><\/p>\n<p><em>Before we opened the Ko\u0161ice festival with the film, it had toured various festivals abroad. Reactions there depended on the country. The film paradoxically appealed to people who have nothing to do with our country, which is why I think it\u2019s universal in some way. I\u2019ll tell you an interesting story: The Sluggard Clan\u00a0had its world premiere in India, in the tropics. I had never been to India before. As I mentioned, the film is very colourful\u2014almost a world unto itself. It\u2019s a metaphor in which the living share life with ghosts. When we screened it in India, people watched it very attentively. During the discussion I learned they perceived it as a social drama. I didn\u2019t understand why. Then one gentleman told me about his house and a mango tree growing in his garden. His deceased father is present in that tree, and the man talks to his father every day. I think I made an Indian film, but I don\u2019t know why. (smiles)<\/em><\/p>\n<p><strong>Visually, too, it\u2019s a very distinctive film. How did you search for a formal solution?<\/strong><\/p>\n<p><em>I think we made this film, in terms of cinematic language, completely differently from how films are made today. I admit I don\u2019t like post-production tricks and tweaks because I don\u2019t trust computers. I always feel when the technology is trying to fool me. I insisted that we create our effects directly in the mise-en-sc\u00e8ne, as stage tricks. So, if someone was supposed to fall off a balcony, they simply had to fall and drop the full five metres.<\/em><\/p>\n<p><em>We needed to bury Ane\u017eka Petrov\u00e1 in a grave, so we did it and gave her a walkie-talkie. We built a structure around her and made sure she could surface at the right moment. When Milan Ondr\u00edk had to chase animals out of a car, we actually herded those animals in and Milan played the scene with them. When Evi\u010dka B\u00e1ndor had to sit on top of a telegraph pole, she sat up there all day. She was, of course, secured. Everything was safe and prepared. But I think this isn\u2019t how it\u2019s done nowadays\u2014certainly not in Slovak filmmaking.<\/em><\/p>\n<p><strong>What did this different approach mean for the crew behind the camera?<\/strong><\/p>\n<p><em>This seductive stylisation and a world understood as a metaphor completely freed our hands. We could explore modes of storytelling without limitation. Time is broken in the film; there\u2019s humour, and there\u2019s a protagonist who jumps into a well whenever he wants to be alone because that\u2019s his hideout. Such freedom brought everything else with it. When the set designer, architect and props team came in, they were thrilled to realise this world. They enjoyed creating the idea I\u2019d brought in, even if it was half-crazy or unrealistic. The same happened with the actors\u2014they also loved fulfilling the whole vision, breathing life into characters whose lives look grotesque and off-kilter.<\/em><\/p>\n<p><strong>At the opening ceremony we heard that the actors received instructions from you to play in front of the camera. Was that your intention\u2014to make the shoot a playful process?<\/strong><\/p>\n<p><em>I don\u2019t believe in various methods of directing actors. I\u2019m not the kind of director who comes in and commands or even demands sternly. For me, when it comes to directing actors, creating the right atmosphere is crucial. I\u2019m not saying atmosphere is the only important thing, but it is fundamental for me. That\u2019s why I told the actors at the very beginning: come in and don\u2019t think at all about how much it costs; don\u2019t burden yourselves with responsibility. I told them to forget everything and be like children who have come to play in the sandbox. That was the basis on which I built the directing of the actors.<\/em><\/p>\n<p><strong>When we compare your new film with the previous two, it\u2019s stylistically quite different. Do you perceive your own authorial development?<\/strong><\/p>\n<p><em>Yes, I\u2019m evolving as an author. Film is the most beautiful thing you can do here. But it has one drawback: when you make a film under professional conditions, one film eats up five years of your life. So you need fifteen years for three films. The hardest part is choosing one theme and then fighting for it, developing it and realising it for five years. When I made my first film fifteen years ago, I was a completely different Ras\u0165o Boro\u0161.<\/em><\/p>\n<p><strong>What can we expect from you and your work in the future?<\/strong><\/p>\n<p><em>It will again be something a little different, even though it will resemble the handwriting of The Sluggard Clan. I call it a surreal, black grotesque. The film I\u2019m preparing currently has two aspects: on one hand it\u2019s a loose adaptation of Chekhov\u2019s The Seagull, and on the other it\u2019s an adaptation of my own life in 2023. But I\u2019ll say no more for now.<\/em><\/p>\n<hr \/>\n<p><b>The 31st IFF ART FILM is made possible thanks to the support of:<\/b><\/p>\n<p><b>Organizer:<\/b><span style=\"font-weight: 400;\"> ART FILM FEST s.r.o.<\/span><\/p>\n<p><b>Co-organizers:<\/b><span style=\"font-weight: 400;\"> Mesto Ko\u0161ice \u00b7 K13 \u2013 Ko\u0161ick\u00e9 kult\u00farne centr\u00e1 \u00b7 Visit Ko\u0161ice \u00b7 ART FILM FEST, n.o. \u00b7 LGM, s.r.o. \u00b7 FORLIVE<\/span><\/p>\n<p><b>Financial support:<\/b><span style=\"font-weight: 400;\"> Audiovizu\u00e1lny fond \u00b7 Nad\u00e1cia SPP<\/span><\/p>\n<p><b>Co-financed by:<\/b><span style=\"font-weight: 400;\"> Ko\u0161ick\u00fd samospr\u00e1vny kraj through the Terra Incognita programme<\/span><\/p>\n<p><b>Main Partners<\/b><span style=\"font-weight: 400;\">: n\u00e1rodn\u00e1 lot\u00e9riov\u00e1 spolo\u010dnos\u0165 TIPOS \u00b7 Slovensk\u00e1 elektriza\u010dn\u00e1 prenosov\u00e1 s\u00fastava, a.s. \u00b7 CODES Brand House<\/span><\/p>\n<p><b>Main Media Partners: <\/b><span style=\"font-weight: 400;\">TV JOJ \u00b7 Pravda \u00b7 Eurotelev\u00edzia<\/span><\/p>\n<p><b>Automotive Partner: <\/b><span style=\"font-weight: 400;\">Moris Slovakia<\/span><\/p>\n<p><b>Advertising Partners: <\/b><span style=\"font-weight: 400;\">Best Press \u00b7 U. S. Steel Ko\u0161ice \u00b7 ANTIK telecom \u00b7 Kino \u00dasmev \u00b7 LOKO TRANS Media \u00b7 CORE Labs \u00b7 Technick\u00e1 univerzita v Ko\u0161iciach<\/span><\/p>\n<p><b>Technology Partners: <\/b><span style=\"font-weight: 400;\">NOV \u00b7 ZEBRA \u00b7 Deutsche Telekom Systems Solutions Slovakia \u00b7 T4H \u00b7 LEDGO \u00b7 DELTA OnLine \u00b7 ARICOMA \u00b7 TelekomCLOUD<\/span><\/p>\n<p><b>Official Suppliers: <\/b><span style=\"font-weight: 400;\">DKC Veritas \u00b7 Kaviare\u0148 Sl\u00e1via \u00b7 PLOOM \u00b7 Kru\u0161ovice BOH\u00c9M \u00b7 pramenit\u00e1 voda Lucka \u00b7 DOMOS SLOVAKIA \u00b7 Re\u0161taur\u00e1cia Contessa \u00b7 Aupark Shopping Center Ko\u0161ice \u00b7 Pierre Baguette \u00b7 Julius Meinl \u00b7 Red Fox Golf Club<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>Official wines:<\/b><span style=\"font-weight: 400;\"> Kubbo Select \u00b7 Ostro\u017eovi\u010d<\/span><\/p>\n<p><b>Media Partners: <\/b><span style=\"font-weight: 400;\">JOJ play \u00b7 JOJ 24 \u00b7 Film Europe \u00b7 R\u00e1dio KO\u0160ICE \u00b7 Aktuality.sk \u00b7 Forbes \u00b7 Startitup.sk \u00b7 Korz\u00e1r \u00b7 Slovenka \u00b7 SITA \u00b7 TASR \u00b7 Mediaboard \u00b7 See &amp; Go \u00b7 \u010cesko-Slovensk\u00e1 filmov\u00e1 datab\u00e1ze \u2013 \u010cSFD \u00b7 BigMedia \u00b7 Ko\u0161ice City Guide \u00b7 Ko\u0161ice v skratke \u00b7 Film.sk \u00b7 diva.sk \u00b7 koktejl.sk \u00b7 zenskyweb.sk \u00b7 MOJAkult\u00fara \u00b7 Kino Sterio \u00b7 Dopravn\u00fd podnik mesta Ko\u0161ice \u00b7 AHOJ TV<\/span><\/p>\n<p><b>Partners: <\/b><span style=\"font-weight: 400;\">JOJ Cinema \u00b7 Jojko \u00b7 Ve\u013evyslanectvo Indie v Bratislave \u00b7 Carmeuse Slovakia \u00b7 DDDental \u00b7 TINY Houses \u00b7 ECO Technologies \u00b7 Letisko Ko\u0161ice \u00b7 Local Nomad Tours \u00b7 Slovensk\u00fd filmov\u00fd \u00fastav \u00b7 Taper \u00b7 YumEarth \u00b7 Puella v\u00f4ne \u00b7 Kvety Garomi \u00b7 \u010dLOVE\u010dina hra \u00b7 Rak\u00faske kult\u00farne f\u00f3rum \u00b7 TESCO Store SK \u00b7 CPK Transport \u00b7 Taba\u010dka Kulturfabrik \u00b7 King Media \u00b7 V\u00fdchodoslovensk\u00e9 m\u00fazeum v Ko\u0161iciach \u00b7 Letn\u00ed filmov\u00e1 \u0161kola \u00b7 KPK Reklama \u00b7 MIHYRING \u00b7 Zoberma taxi \u00b7 Hair Factory Ko\u0161ice \u00b7 Ve\u013evyslanectv\u00ed \u010cesk\u00e9 republiky v Bratislav\u011b<\/span><\/p>\n<p><b>Gastronomy Partners: <\/b><span style=\"font-weight: 400;\">Pub u Koh\u00fata \u00b7 El Nacional \u00b7 OhniskO Fire Dining &amp; Brew Bar \u00b7 Maiko Sushi \u00b7 Macarons Ko\u0161ice \u00b7 \u0161um vin\u00e1re\u0148 \u00b7 Caf\u00e9 de Paris \u00b7 Casa Trade \u2013 Casablanca cafe \u00b7 TATRATEA \u00b7 Moritz Eis<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Your new film The Sluggard Clan\u00a0is a loose adaptation of \u0164ap\u00e1kovci. What about this source captivated you so","protected":false},"author":8,"featured_media":43888,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17,24],"tags":[175],"class_list":["post-44177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-people","tag-aff-2025-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.2 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Rastislav Boro\u0161: \u201cI think I\u2019ve made an Indian film.\u201d &#8226; IFF ART FILM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iffartfilm.com\/en\/blog\/news\/2025\/06\/rastislav-boros-i-think-ive-made-an-indian-film\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rastislav Boro\u0161: \u201cI think I\u2019ve made an Indian film.\u201d\" \/>\n<meta property=\"og:description\" content=\"https:\/\/youtu.be\/bGAUhbuWE4Q &nbsp; Your new film The Sluggard Clan\u00a0is a loose adaptation of \u0164ap\u00e1kovci. 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