{"id":2410,"date":"2015-06-04T14:48:00","date_gmt":"2015-06-04T13:48:00","guid":{"rendered":"https:\/\/www.artfilmfest.sk\/en\/blog\/uncategorized\/2015\/06\/international-competition-of-short-films\/"},"modified":"2016-02-27T22:37:57","modified_gmt":"2016-02-27T21:37:57","slug":"international-competition-of-short-films","status":"publish","type":"post","link":"https:\/\/iffartfilm.com\/en\/blog\/highlights\/2015\/06\/international-competition-of-short-films\/","title":{"rendered":"International Competition of Short Films"},"content":{"rendered":"

SHORTS I. <\/strong><\/p>\n

Diera v srdci \/ A Hole in My Heart<\/strong>
\nR\u00e9\u017eia\/Director: Mees Peijnenburg
\nSt\u00e1vaju sa veci, \u010do v\u0161etko obr\u00e1tia v ticho. Stav, v ktorom u\u017e ni\u010d nedava zmysel. Ako keby v\u0161etko zamrzlo.\/Sometimes things happen that turn everything to silence. To the point that nothing makes sense anymore. As if everything got stuck.<\/p>\n

\u00datr\u017eky \/ Fragments<\/strong>
\nR\u00e9\u017eia\/Director: Agnieszka Woszczy\u0144ska
\nFilm je zbierkou vo\u013ene posp\u00e1jan\u00fdch sc\u00e9n zobrazuj\u00facich rozpad vz\u0165ahu a zr\u00fatenie sveta, na ktor\u00fd je hlavn\u00e1 \u017eensk\u00e1 postava z\u00fafalo naviazan\u00e1. Anna a jej partner \u017eij\u00fa pohodln\u00fd, ale nez\u00e1\u017eivn\u00fd stredostavovsk\u00fd \u017eivot a Annu to postupne ub\u00edja.\/ This film is a collection of loosely connected scenes, depicting the breakdown of a relationship and the collapse of the world to which the main female character is desperately clinging. Anna and her partner live a comfortable yet monotonous bourgeois life. This makes Anna slowly fall apart.<\/p>\n

Int\u00edmne priate\u013estvo \/ Skinship<\/strong>
\nR\u00e9\u017eia\/Director: Nichola Wong
\nInt\u00edmne priate\u013estvo je ne\u017en\u00fd a origin\u00e1lny film sk\u00famaj\u00faci silu dotyku a \u013eudsk\u00e9ho spojenia, ktorej d\u00e1va technol\u00f3gia \u00faplne nov\u00fd v\u00fdznam. Obklopen\u00e1 technologick\u00fdmi vymo\u017eenos\u0165ami h\u013ead\u00e1 opusten\u00e1 a citovo odcudzen\u00e1 \u017eena pomoc odborn\u00edka, aby dok\u00e1zala znovu prec\u00edti\u0165 ,,dotyk\u201c.\/ \u201cSkinship\u201d is a delicate, original film that explores the power of touch, human connection and how it is being redefined by technology. Set against a technological backdrop, the film follows an alienated, disconnected woman who seeks the help of a professional to reconnect through \u201ctouch\u201d.<\/p>\n

Aissa \/Aissa<\/strong>
\nR\u00e9\u017eia\/Director: Cl\u00e9ment Tr\u00e9hin-Lalanne
\nMlad\u00e1 Kon\u017eanka neleg\u00e1lne \u017eij\u00faca vo Franc\u00fazsku, mus\u00ed klama\u0165 o svojom veku, aby mohla zosta\u0165 na \u00fazem\u00ed Franc\u00fazska. Chladn\u00fdmi o\u010dami lek\u00e1rskej prehliadky sk\u00fama re\u017eis\u00e9r Trehin-Lalanne hlboko osobne d\u00f4sledky \u00fazemn\u00fdch hran\u00edc, ktor\u00e9 ur\u010duj\u00fa z\u00e1konnos\u0165 \u013eudskej existencie. \/Aissa, a young Congolese woman living illegally in France, must lie about her age in order to stay in the country. Through the coldly scrutinizing lens of a medical examination, director Trehin-Lalanne probes the deeply personal implications of political boundaries that dictate the legality of an individual.<\/p>\n

S \/ S<\/strong>
\nR\u00e9\u017eia\/Director: Richard Hajd\u00fa
\nDrsn\u00e1 a nekompromisn\u00e1 dokudr\u00e1ma, odohr\u00e1vaj\u00faca sa v Lond\u00fdne, o v\u00fdchodoeur\u00f3pskej sexpracovn\u00ed\u010dke a jej pas\u00e1kovi. Politicky a soci\u00e1lne uvedomel\u00e1 spr\u00e1va o jednom z najznepokojuj\u00facej\u0161\u00edch fenom\u00e9nov Eur\u00f3py 21. storo\u010dia sa zameriava na dvoch vybrat\u00fdch jednotlivcov a ich du\u0161u ub\u00edjaj\u00faci vz\u0165ah l\u00e1sky striedanej nen\u00e1vis\u0165ou.\/ Set in London, this raw and uncompromising docudrama is about an Eastern-European sex worker and her pimp. A politically and socially conscious account of one of the most worrying phenomena in 21st-century Europe, focusing on two individuals and their soul-killing love-hate relationship.<\/p>\n

Iba jeden \u017eivot \/ A Single Life<\/strong>
\nR\u00e9\u017eia\/Director: Marieke Blaauw, Job Roggeveen, Joris Oprins
\nKe\u010f hr\u00e1 tajomn\u00e1 vinylov\u00e1 plat\u0148a, Pia je n\u00e1hle schopn\u00e1 putova\u0165 v \u010dase svojho \u017eivota.\/When she plays a mysterious vinyl record, Pia is suddenly able to travel through her life.<\/p>\n

SHORTS II.<\/b><\/p>\n

Zelen\u00e1 vlna \/ Green Wave<\/strong>
\nR\u00e9\u017eia\/Director: Martina Buchelov\u00e1
\nObraz prepracovanej \u017eeny \u017eij\u00facej osamote s mal\u00fdm synom a otcom na d\u00f4chodku. Neust\u00e1le bojuje s ka\u017edodenn\u00fdmi probl\u00e9mami, a\u017e k\u00fdm nad \u0148ou nevyhr\u00e1 fant\u00e1zia. Alebo nie?\/ A woman lives alone with her son and elderly father. She struggles with everyday problems until fantasy wins her over. Or not?<\/p>\n

V\u0161etko, o \u010do sa del\u00edme \/ All We Share<\/strong>
\nR\u00e9\u017eia\/Director: Jerry Carlsson
\nSamir a Sara dostan\u00fa pr\u00e1cu – maj\u00fa zo\u0165a\u0165 zdrav\u00fd zdrom v rodinnej z\u00e1hrade. D\u00f4vod, pre ktor\u00fd to chce rodina urobi\u0165, je v\u0161ak spo\u010diatku na\u010disto nepochopite\u013en\u00fd. Je zjavn\u00e9, \u017ee nie\u010do zaml\u010duje. Pri pr\u00e1ci Samir pozoruje z\u00e1hradu a \u013eud\u00ed, s ktor\u00fdmi sa stret\u00e1va.\/ Two arborists, Samir and Sara, are hired to cut down a healthy tree in a family\u2019s backyard. Why the family wants the tree removed seems at first quite incomprehensible. It\u2019s obvious there\u2019s something they don\u2019t want to talk about. While taking the tree down, Samir observes the backyard and the people he meets.<\/p>\n

Plan\u00e9ta \u2211 \/ Planet \u2211<\/strong>
\nR\u00e9\u017eia\/Director: Momoko Seto
\nNa plan\u00e9te \u2211 s\u00fa v \u013eade uv\u00e4znen\u00e9 obrovsk\u00e9 tvory. Podmorsk\u00e9 v\u00fdbuch sp\u00f4sobia glob\u00e1lne oteplenie a zvierat\u00e1 o\u017eij\u00fa. Tretia \u010das\u0165 zo s\u00e9rie PLAN\u00c9TA, ocenen\u00e1 na Berlinale aj GoShort 2015.\/ On \u201cPlanet \u2211\u201d, giant creatures are trapped inside the ice. Submarine explosions provoke global warming, and a new life begins for animals. This third instalment of the PLANET series was awarded at the Berlinale and GoShorts 2015.<\/p>\n

Mimo tento svet \/ Out of This World<\/strong>
\nR\u00e9\u017eia\/Director: Viktor Nordenski\u00f6ld
\nMuhammad Rizwan (12) zbo\u017e\u0148uje svojich s\u00farodencov. \u017divot doma je pln\u00fd l\u00e1sky. Ale ke\u010f pr\u00eddu \u0161pinav\u00e9 cisterny, m\u00e1 ve\u013ea pr\u00e1ce. Spolu s in\u00fdmi de\u0165mi sa pon\u00e1ra do \u00fatrob naftov\u00fdch n\u00e1dr\u017e\u00ed – napriek extr\u00e9mne jedovat\u00fdm v\u00fdparom.\/ Muhammad Rizwan (12) adores his siblings. Life at home is full of love. But when the filthy fuel tankers arrive, he gets busy. With other children he crawls inside the dark interior of the diesel tanks – in spite of the extremely carcinogenic fumes.<\/p>\n

Ponuka \/ Offer<\/strong>
\nR\u00e9\u017eia\/Director: Mo\u00efra Pitteloud
\nSami, mlad\u00fd \u0160vaj\u010diar al\u017e\u00edrskeho p\u00f4vodu, sa chce zamestna\u0165 vo \u0160vaj\u010diarskej tajnej slu\u017ebe, riskuje v\u0161ak zradu hodn\u00f4t d\u00f4le\u017eit\u00fdch pre rodinu.\/Sami, a young Swiss-Algerian man, is about to accept a job in the Swiss Bureau of Intelligence, at the risk of betraying the values at the heart of his family history.<\/p>\n

Najstato\u010dnej\u0161\u00ed, najodv\u00e1\u017enej\u0161\u00ed \/ The Bravest, The Boldest<\/strong>
\nR\u00e9\u017eia\/Director: Moon Molson
\n\u017dena bl\u00fadi po panel\u00e1ku, len aby sa vyhla vojensk\u00fdm d\u00f4stojn\u00edkom, ktor\u00ed jej samozrejme pri\u0161li ozn\u00e1mi\u0165 zl\u00e9 spr\u00e1vy.\/ A woman wanders her apartment building, avoiding the army officers who have obviously come there to bring her some bad news.<\/p>\n

SHORTS III.<\/b><\/p>\n

Objekt \/ The Object<\/strong>
\nR\u00e9\u017eia\/Director: Paulina Skibinska
\nObjekt je origin\u00e1lny a abstraktn\u00fd obraz podvodn\u00e9ho p\u00e1trania. Akcia sa odohr\u00e1va v dvoch svetoch – \u013eadovej pustatine a svete pod vodou. Pr\u00edbeh je rozpr\u00e1van\u00fd z poh\u013eadu z\u00e1chrann\u00e9ho t\u00edmu, pot\u00e1pa\u010da pod vodou pokrytou \u013eadom, a oby\u010dajn\u00fdch \u013eud\u00ed \u010dakaj\u00facich na brehu.\/\u201cThe Object\u201d is a creative, abstract portrayal of a underwater search. The action takes place in two worlds – a desert of ice and underwater. The story is told from the point of view of the rescue team, of the diver entering the water totally covered by ice, and of the ordinary people waiting on the shore.<\/p>\n

Mu\u017e so psom \/ The Man with a Dog<\/strong>
\nR\u00e9\u017eia\/Director: Kamal Lazraq
\nYoussef je stratenec ved\u00faci osamel\u00fd \u017eivot. Jeho jedin\u00fdm priate\u013eom je pes Chagadai. Raz r\u00e1no na pl\u00e1\u017ei v\u0161ak pes zmizne. Pri jeho h\u013eadan\u00ed sa mus\u00ed Youssef vyda\u0165 na nebezpe\u010dn\u00fa v\u00fdpravu do najzapadnutej\u0161\u00edch \u010dast\u00ed Casablancy.\/Youssef is a misfit leading a secluded life. His only friend is his dog Chagadai. One evening at the beach, the dog disappears. To find him, Youssef is forced to embark on a dangerous quest through the seediest parts of Casablanca.<\/p>\n

Ve\u010dera pre vyvolen\u00fdch \/ Dinner for Few<\/strong>
\nR\u00e9\u017eia\/Director: Nassos Vakalis
\nAlegorick\u00fd obraz na\u0161ej spolo\u010dnosti. Po\u010das ve\u010dere \u201esyst\u00e9m\u201c k\u0155mi h\u0155stku vyvolen\u00fdch, ktor\u00e1 nezmyselne vy\u017eiera v\u0161etky zdroje, zatia\u013e \u010do ostatn\u00ed pre\u017e\u00edvaj\u00fa na zvy\u0161koch. Boj o to, \u010do ostane, nevyhnutne vedie ku katastrofickej zmene.\/An allegorical depiction of our society. During dinner, \u201cthe system\u201d feeds the few who foolishly consume all the resources while the rest survive on the scraps. Inevitably the struggle for what remains leads to catastrophic change.<\/p>\n

Integr\u00e1cia \/ Integration<\/strong>
\nR\u00e9\u017eia\/Director: Oleksij Radynski\/
\nDokument o v\u00fdvoji n\u00e1siln\u00e9ho odporu po\u010das kyjevsk\u00fdch protestov na Majdane, zameran\u00fd najm\u00e4 na vz\u0165ahy medzi n\u00e1sil\u00edm a politikou a performa\u010dn\u00fd rozmer povstania.\/This documentary follows the development of violent resistance during the protests at Maidan in Kiev. The video focuses on the relations between violence and politics, and the performative dimension of the insurgency.<\/p>\n

Maced\u00f3nsky v\u00fdlet \/ Macedonian Trip<\/strong>
\nR\u00e9\u017eia\/Director: Gu\u00e9rin van de Vorst
\nMaced\u00f3nsky v\u00fdlet rozpr\u00e1va o nepravdepodobnom stretnut\u00ed Dany, citovo rozhodenej vreck\u00e1rky, a Cristiana, ileg\u00e1lneho imigranta. Je to pr\u00edbeh o kri\u010diacich deck\u00e1ch, ukradnut\u00fdch kabelk\u00e1ch a vlakoch, ktor\u00e9 zni\u010dia v\u0161etko, \u010do im stoj\u00ed v ceste.\/\u201cMacedonian Trip\u201d tells of the improbable meeting of Dany, an emotionally disturbed pickpocket, and Cristian, an illegal immigrant. It\u2019s a story about screaming babies, stolen handbags and trains that destroy everything in their path.<\/p>\n

Symf\u00f3nia \u010d.42 \/ Symphony No. 42<\/strong>
\nR\u00e9\u017eia\/Director: R\u00e9ka Bucsi
\nFilm s nekonven\u010dn\u00fdm narat\u00edvom predstavuje subjekt\u00edvny svet v 47 sc\u00e9nach. Mal\u00e9 udalosti, poprepletan\u00e9 asoci\u00e1ciami, vyjadruj\u00fa iracion\u00e1lnu s\u00fadr\u017enos\u0165 na\u0161ich \u017eivotn\u00fdch prostred\u00ed. Surre\u00e1lne situ\u00e1cie s\u00fa zalo\u017een\u00e9 na interakci\u00e1ch \u013eud\u00ed a pr\u00edrody.\/ A film with an unconventional narrative presenting a subjective world in 47 scenes. Small events, interlaced by associations, express the irrational coherence of our surroundings. The surreal situations are based on the interactions of humans and nature.<\/p>\n

SHORTS IV.<\/b><\/p>\n

Umenie \/ Art<\/strong>
\nR\u00e9\u017eia\/Director: Adrian Sitaru
\nDvaja filmov\u00ed re\u017eis\u00e9ri objavia na castingu dokonal\u00e9 trin\u00e1s\u0165ro\u010dn\u00e9 diev\u010da pre nov\u00fd film. Teraz e\u0161te musia presved\u010di\u0165 jej neochotn\u00fa matku, aby dc\u00e9re dovolila hra\u0165 rolu sexu\u00e1lne zneu\u017eit\u00e9ho die\u0165a\u0165a. Nasleduje duchapln\u00e1 debata o zneu\u017e\u00edvan\u00ed a obetiach v mene ve\u013ek\u00e9ho umenia.\/During a casting session, two film directors find the perfect 13-year-old girl for their new movie. Now they must convince her reluctant mother to let her daughter play the role of a sexually abused child. What follows is a witty argument on the abuses and sacrifices made in the name of great works of art.<\/p>\n

Kr\u00e1sa \/ Beauty<\/strong>
\nR\u00e9\u017eia\/Director: Rino Stefano Tagliafierro
\nKr\u00e1tky pr\u00edbeh o najd\u00f4le\u017eitej\u0161\u00edch em\u00f3ci\u00e1ch v \u017eivote, od narodenia po smr\u0165, o l\u00e1ske a sexualite, bolesti a strachu. Je to pocta umeniu a \u017eivotu – a ich odzbrojuj\u00facej kr\u00e1se.\/A short story on the most important emotions in life, from birth to death, love and sexuality through pain and fear. It is a tribute to art and life – and their disarming beauty.<\/p>\n

Diviak kastr\u00e1t \/ Castratus the Boar<\/strong>
\nR\u00e9\u017eia\/Director: Raitis \u0100bele, Lauris \u0100bele
\nValter je osamel\u00fd a ukr\u00fdva tajomstvo, \u010do mu tak trochu br\u00e1ni zapadn\u00fa\u0165 do miestnej komunity. A tak aspo\u0148 chov\u00e1 prasat\u00e1 a spieva v kostolnom zbore. \u010co sa v\u0161ak stane, ke\u010f sa pok\u00fasi zbl\u00ed\u017ei\u0165 s miestnym diev\u010da\u0165om Aijou? Nie, rozhodne neo\u010dak\u00e1vajte \u017eiadnu love story.\/Valter is a loner with a secret. Due to this he can\u2019t really fit in with the community, and so he at least keeps pigs and sings in the church choir. What happens when he attempts to approach Aija, one of the local girls? Not a traditional romance, that\u2019s for sure.<\/p>\n

Kamo\u0161 \/ Buddy<\/strong>
\nR\u00e9\u017eia\/Director: Raf Roosens, Jan Roosens
\nFr\u00e9 je t\u00edned\u017eer zmietaj\u00faci sa medzi svojou bohatou konzervat\u00edvnou rodinou a priate\u013emi z ni\u017e\u0161\u00edch vrstiev. Odde\u013eova\u0165 tieto dva svety sa mu dar\u00ed dovtedy, k\u00fdm sa nezamiluje…\/Fr\u00e9 is a teenager trapped between his conservative, wealthy family and his working-class friends. He manages to keep the two worlds separate until he falls in love\u2026<\/p>\n

Bunda \/ The Jacket<\/strong>
\nR\u00e9\u017eia\/Director: Patrick Vollrath
\nChlapec stretne diev\u010da. Mohla by to by\u0165 l\u00e1ska. Ale je tu aj t\u00e1 bunda. A t\u00e1 bunda v\u0161etko zmen\u00ed\u2026\/A boy meets a girl. It could be love. But there is this jacket, too. And the jacket will change everything…<\/p>\n

P\u00e1rty otroci \/ Slaves of the Rave<\/strong>
\nR\u00e9\u017eia\/Director: William Garratt
\nKr\u00e1tka animovan\u00e1 hudobn\u00e1 kom\u00e9dia (bez dial\u00f3gov), ktor\u00e1 zachyt\u00e1va reakcie publika na r\u00f4zne hudobn\u00e9 \u017e\u00e1nre.\/A short animated musical comedy (without dialog), depicting an audience\u2019s reaction to different types of music.<\/p>\n

SHORTS V.<\/b><\/p>\n

Pokrvn\u00ed bratia \/ Blood Brothers<\/strong>
\nR\u00e9\u017eia\/Director: Marco Esp\u00edrito Santo, Miguel Coimbra
\nJedna noc v \u017eivote pr\u00edslu\u0161n\u00edka Forcados Amadores de Montemor, portugalsk\u00e9ho oddielu matadorov. Prv\u00fd n\u00e1vrat do ar\u00e9ny po odchode l\u00eddra sa nezaob\u00edde bez preuk\u00e1zania pocty jeho odv\u00e1\u017enemu duchu.\/One night in the life of the Forcados Amadores de Montemor, a bullfighting \u201csuicide squad\u201d in Portugal. Returning to the biggest arena for the first time without their fallen leader, they must channel his invincible spirit.<\/p>\n

Mlad\u00e9 cig\u00e1nske levy \/ Young Lions of Gypsy<\/strong>
\nR\u00e9\u017eia\/Director: Jonas Carpignano
\nFilm Mlad\u00e9 cig\u00e1nske levy n\u00e1s prevedie jednou nocou v \u017eivote Pia, mlad\u00e9ho r\u00f3mskeho chlapca \u017eij\u00faceho v ju\u017enom Taliansku.\/\u201cYoung Lions of Gypsy\u201d takes us through a night in the life of Pio, a young Romani boy living in southern Italy.<\/p>\n

Zlat\u00e1 legenda \/ The Golden Legend<\/strong>
\nR\u00e9\u017eia\/Director: Olivier Smolders
\nPsychiatrick\u00fd pacient predstavuje gal\u00e9riu historick\u00fdch post\u00e1v, ktor\u00e9 ho fascinuj\u00fa, zbierku prekliatych hudobn\u00edkov, pom\u00e4ten\u00fdch vrahov, vystavovan\u00fdch netvorov, paranoidn\u00fdch revolucion\u00e1rov, flatulistov a pustovn\u00edkov so samovra\u017eedn\u00fdmi sklonmi.\/A psychiatric patient presents a gallery of the historical figures that haunt him, a collection of cursed musicians, unreasonable murderers, fairground freaks, paranoid revolutionaries, flatulists and suicidal hermits.<\/p>\n

Drancovanie \/ Ransack<\/strong>
\nR\u00e9\u017eia\/Director: Marianne Farley
\nLo\u00efc m\u00e1 \u0161trn\u00e1s\u0165 a chce za\u017ei\u0165 siln\u00e9 em\u00f3cie a \u013eudsk\u00e9 puto. V snahe dosta\u0165 sa do bandy nev\u00e1ha vl\u00fapa\u0165 sa s priate\u013emi do domu v susedstve. Toto dobrodru\u017estvo mu v\u0161ak z\u00e1rove\u0148 prinesie v\u00fdzvu, ktor\u00e1 mu m\u00f4\u017ee zmeni\u0165 \u017eivot.\/Lo\u00efc is fourteen; as a teenager, he wants to experience strong emotions and sensations. In his attempt to be part of a gang, he doesn\u2019t hesitate to join his friends in burglarizing a home in their neighbourhood. At a turning point, their adventure offers Lo\u00efc an opportunity to make a life-changing choice.<\/p>\n

Do ve\u010dera \/ Till Day’s End<\/strong>
\nR\u00e9\u017eia\/Director: Amitai Ashkenazi
\nSedemn\u00e1s\u0165ro\u010dn\u00fd Ilay sa s bratom star\u00e1 v kibuci o rybn\u00edky. Raz ho pred zlodejmi r\u00fdb zachr\u00e1ni arabsk\u00fd chlapec. Prejav\u00ed Ilay odvahu a pom\u00f4\u017ee aj on jemu?\/17-year-old Ilay and his brother look after the fishponds on the kibbutz. One day he is saved from some fish thieves by an Arab boy. Will Illay have the courage to help him, too?<\/p>\n

Dom nevedomia \/ House of Unconsciousness<\/strong>
\nR\u00e9\u017eia\/Director: Priit Tender
\nFilm vych\u00e1dza z dlhodob\u00e9ho vedeck\u00e9ho sk\u00famania snov komin\u00e1rov. Z dostupn\u00e9ho materi\u00e1lu boli vybrat\u00e9 naj\u010dastej\u0161ie obrazy a na ich z\u00e1klade bol nap\u00edsan\u00fd scen\u00e1r. \u0160tatistick\u00e9 \u00fadaje potvrdzuj\u00fa, \u017ee film predstavuje sen, ktor\u00fd sa komin\u00e1rom sn\u00edva naj\u010dastej\u0161ie.\/ This film is based on a long-term study of the dreams of chimney sweepers. The most frequently encountered images have been selected from the abundant material available and the script was created on the basis of those images. Statistics support the claim that this film presents one of the dreams that chimney sweepers encounter most frequently.<\/p>\n

SHORTS VI.<\/b><\/p>\n

In\u0161pekcia \/ Inspection<\/strong>
\nR\u00e9\u017eia\/Director: Gala Suchanova\/Gala Sukhanova
\nProbl\u00e9mov\u00fa rodinu nav\u0161t\u00edvia report\u00e9r a dve soci\u00e1lne pracovn\u00ed\u010dky, ktor\u00e9 chc\u00fa matke, ak ju znovu n\u00e1jdu opit\u00fa, odobra\u0165 diev\u010datko.\/A problem family gets a visit from social service workers. If the mother turns out to be drunk again, they will take away her little girl.<\/p>\n

Medzi nami \/ Among Us<\/strong>
\nR\u00e9\u017eia\/Director: Guido Hendrikx
\nTri mu\u017esk\u00e9 hlasy sa otvorene bavia o svojich pedofiln\u00fdch sklonoch a o tom, ako sa s nimi sna\u017eia mor\u00e1lne vysporiada\u0165. Dilema mu\u017eov sa zhmot\u0148uje v obrazoch protestov a lek\u00e1rskych v\u00fdskumov. V tomto \u010diernobielom dokumente sa odha\u013euj\u00fa zlo\u017eit\u00e9 pocity \u013eud\u00ed so zatracovanou orient\u00e1ciou. Ako sa \u010dlovek vyrovn\u00e1va so sexu\u00e1lnou orient\u00e1ciou, ktor\u00fa spolo\u010dnos\u0165 aj on s\u00e1m pova\u017euj\u00fa za chorobn\u00fa?\/Three male voices openly discuss their paedophile tendencies and how they try to deal with this ethically. Images of protests and medical research make the men\u2019s dilemmas tangible. This black-and-white documentary reveals the complex emotions behind an orientation society deems perverted. How do you cope with a sexual orientation that\u2019s considered morbid by society and by yourself?<\/p>\n

Kosenie tr\u00e1vy \/ Cutting Grass<\/strong>
\nR\u00e9\u017eia\/Director: Ruair\u00ed O\u2019Brien, John Kennedy
\nJe hor\u00face leto a mlad\u00fd Donal z mesta sa pok\u00fa\u0161a zarobi\u0165 p\u00e1r drobn\u00fdch kosen\u00edm tr\u00e1vnikov.S pr\u00edchodom Gerryho sa v\u0161eli\u010do zmeni.\/It\u2019s a hot summer and a young inner-city boy, Donal, is trying his hand at cutting lawns for pocket money. His luck changes when he meets Gerry.<\/p>\n

Sedemkr\u00e1t za de\u0148 oplak\u00e1vame svoj \u00fadel a v noci sa bud\u00edme,\u00a0aby sme sa vyhli sneniu \/ Seven Times a Day We Bemoan Our Lot and at Night We Get up\u00a0to Avoid Dreaming<\/strong>
\nR\u00e9\u017eia\/Director: Susann Maria Hempel
\nFilmov\u00e1 modlitebn\u00e1 kni\u017eka. Na z\u00e1klade rozhovorov s nezamestnan\u00fdm utr\u00e1pen\u00fdm \u010dlovekom (a jeho priate\u013emi), ktor\u00fd \u017eije na v\u00fdchodonemeckom vidieku. V roku 1989 stratil pam\u00e4\u0165 a odvtedy ho zo sna budia ist\u00e9 no\u010dn\u00e9 mory.\/A cinematic devotional book. Based on interviews with an unemployable sufferer (and his fellows) living in the East German countryside, who lost his memory in 1989 and woke up into several nightmares.<\/p>\n

\u00c1no, milujeme! \/ Yes We Love<\/strong>
\nR\u00e9\u017eia\/Director: Hallvar Witz\u00f8
\n10-ro\u010dn\u00fd Birger nezn\u00e1\u0161a pochodovanie v chlap\u010denskom oddiele. Vojnov\u00fd hrdina Konrad (90) odmieta po\u010d\u00fava\u0165 \u010fal\u0161\u00ed honosn\u00fd prejav ku D\u0148u \u00fastavy. Kr\u00e1\u013eovn\u00e1 plesu Carina (18) nem\u00f4\u017ee uveri\u0165, \u017ee ju Morten nechce. A otec dvoch det\u00ed Ola (46) h\u013ead\u00e1 s\u00e1m seba v loveckej chate na arktickom Svalbarde. \u00c1no, milujeme! je N\u00f3rsko zast\u00fapen\u00e9 \u0161tyrmi gener\u00e1ciami obyvate\u013eov, z ktor\u00fdch ka\u017ed\u00fd rie\u0161i na De\u0148 \u00fastavy svoje vlastn\u00e9 \u017eivotn\u00e9 kr\u00edzy.\/ Ten-year-old Birger hates marching with the boys\u2019 brigade. War hero Konrad (90) refuses to listen to another grandiloquent Constitution Day speech. Graduation queen Carina (18) just cannot believe Morten isn\u2019t interested in her. And father-of-two Ola (46) searches for his \u201cself\u201d in a hunting lodge in Arctic Svalbard. \u201cYes We Love\u201d is Norway represented by four generations, each with their crisis on Norway\u2019s Constitution Day.<\/p>\n

Vo v\u00fdstavbe \/ Under_Construction<\/strong>
\nR\u00e9\u017eia\/Director: Marcin Wojciechowski
\nDenn\u00edk kombinuj\u00faci kresby a grafiky venovan\u00e9 ka\u017edodenn\u00e9mu boju s realitou. Pok\u00fa\u0161a sa n\u00e1js\u0165 vizu\u00e1lne ekvivalenty pre rozlo\u017eenie a ment\u00e1lnu dekon\u0161trukciu osobnosti a tie\u017e ukazuje z\u00fafal\u00e9 pokusy mieriace k ich rekon\u0161trukcii, usporiadaniu.\/A journal with a combination of drawings and graphics about the daily struggle with reality. It attempts to find visual equivalents for decomposition and mental deconstruction of personalities, while also showing desperate efforts toward reconstruction and merging.<\/p>\n","protected":false},"excerpt":{"rendered":"

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