{"id":2000,"date":"2015-06-22T10:36:00","date_gmt":"2015-06-22T09:36:00","guid":{"rendered":"https:\/\/www.artfilmfest.sk\/blog\/aktuality\/2015\/06\/peredo-pilar-we-made-an-offering-to-the-volcano\/"},"modified":"2017-05-23T23:00:38","modified_gmt":"2017-05-23T21:00:38","slug":"peredo-pilar-we-made-an-offering-to-the-volcano","status":"publish","type":"post","link":"https:\/\/iffartfilm.com\/en\/blog\/news\/2015\/06\/peredo-pilar-we-made-an-offering-to-the-volcano\/","title":{"rendered":"Peredo Pilar: We made an offering to the volcano"},"content":{"rendered":"<p style=\"text-align: justify;\">Mar\u00eda lives at the foot of a volcano. She\u2019s 17 years old, she has Mayan roots and features, and that\u2019s really all there is to say. She exchanges her virginity for the chimera of a journey to the United States. The Guatemalan film Ixcanul is being screened in Art Film Fest\u2019s International Competition of Feature Films. Its Argentinean producer Pilar Peredo says that before they could shoot the film, the crew had to ask the volcano for permission.<\/p>\n<p style=\"text-align: justify;\"><b>Who requested that the filming conform to the traditional rituals of the Guatemalan Indians?<\/b><\/p>\n<p style=\"text-align: justify;\">We deferred to traditional rituals during the shoot itself, too; we also asked the water, for example, for permission to film. We cooperated with people from the village closest to the volcano. We filmed and lived there six weeks, and three months previously we did the casting there, so we all adapted to the locals.<\/p>\n<p style=\"text-align: justify;\"><b>How did Jayro Bustamante approach the rituals, being from Guatemala himself?<\/b><\/p>\n<p style=\"text-align: justify;\">Despite having been born on Lake Atitl\u00e1n, home to the most Mayan communities, and growing up with his mother, who taught him to speak the local language, he\u2019s still a mestizo, and from 17 on he studied in Paris and Rome. He\u2019s among the 20% of locals who aren\u2019t part of the indigenous culture. He\u2019s deeply familiar with the rituals and customs of the descendants of the Maya, but during the shoot we discovered several more together.<\/p>\n<p style=\"text-align: justify;\"><b>Why did Jayro Bustamante choose to film Ixcanul specifically?<\/b><\/p>\n<p style=\"text-align: justify;\">The film is based on a true story. Jayro\u2019s mother worked as a health educator in poor Mayan communities and introduced Jayro to the real-life Mar\u00eda. It was then that he decided to include the issue of child abduction in the film.<\/p>\n<p style=\"text-align: justify;\"><b>How authentic would you say Ixcanul is?<\/b><\/p>\n<p style=\"text-align: justify;\">We filmed in very authentic surroundings, but we constructed the farmstead by the coffee plantation at the foot of the volcano. The volcano was, naturally, real. Our performers were also from the Maya community; the actress playing Mar\u00eda had never acted before, though her onscreen mother pursues street theatre. They had to learn their lines, but the whole filming process was an interaction between them and the director. When they got the feeling that something in the script didn\u2019t sit with the Maya community, they said so and we adjusted it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mar\u00eda lives at the foot of a volcano. 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